Miya Masaoka

Masaoka has made a name for herself by doing new things with an ancient instrument. She plays the koto, a harp-like Japanese zither, from which she summons a full range of plucks, scrapes, rattles, and beautifully cascading flurries. Her original background in Japanese Gagaku court music has over the years given way to endeavors in computer-based Electronic music, textural Free Improvisation, and Bop-ish jazz. However, rather than merely making gimmicky use of an "exotic" instrument by placing it in foreign contexts, she establishes herself on equal footing by taking an assertive, headfirst approach. Her playing can be alternately tumultuous and peaceful, confrontational and supportive, but always distinguishes itself through a unique sense of space and sonic detail. While awkward moments of culture-clash can occasionally surface, Masaoka's accomplishments bear the mark of one confidently heading into uncharted territory.