Tomas Luis de Victoria
Tomas Luis de Victoria
Radio
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11:24
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11:17
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1:36
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1:14
Biography
(born: Avila, 1548; died: Madrid, 20 Aug 1611)
Spanish composer. He was a choirboy at Avila Cathedral; when his voice broke he was sent to the Jesuit Collegio Germanico, Rome (c.1565), where he may have studied under Palestrina. He was a singer and organist at S Maria di Monserrato (1569- at least 1574) and from 1571 to 1576-7 he taught at the Collegio Germanico (maestro from 1575). He became a priest and joined the Oratory of S Filippo Neri. In the 1580s he returned to Spain as chaplain to Philip II's sister the Dowager Empress Maria, at the Descalzas Reales convent, Madrid, from 1587 until her death in 1603; he remained there as organist until his death, apart from a visit to Rome (1592-5), when he attended Palestrina's funeral.
The greatest Spanish Renaissance composer, and among the greatest in Europe in his day, he wrote exclusively Latin sacred music. Most was printed in his lifetime; in 1600 a sumptuous collection of 32 of his most popular masses, Magnificats, psalms and motets appeared in Madrid. Though his output ranged widely through the liturgy, he is chiefly remembered for his masses and motets, which include well-known pieces (Missa Ave regina caelorum, Missa pro victoria, O magnum mysterium, O quam gloriosum, O vos omnes). Like Palestrina, he wrote in a serious, devotional style, often responding emotionally to the texts with dramatic word-painting. Some of his more poignant pieces are characterized by a religious, almost mystical fervour.
Spanish composer. He was a choirboy at Avila Cathedral; when his voice broke he was sent to the Jesuit Collegio Germanico, Rome (c.1565), where he may have studied under Palestrina. He was a singer and organist at S Maria di Monserrato (1569- at least 1574) and from 1571 to 1576-7 he taught at the Collegio Germanico (maestro from 1575). He became a priest and joined the Oratory of S Filippo Neri. In the 1580s he returned to Spain as chaplain to Philip II's sister the Dowager Empress Maria, at the Descalzas Reales convent, Madrid, from 1587 until her death in 1603; he remained there as organist until his death, apart from a visit to Rome (1592-5), when he attended Palestrina's funeral.
The greatest Spanish Renaissance composer, and among the greatest in Europe in his day, he wrote exclusively Latin sacred music. Most was printed in his lifetime; in 1600 a sumptuous collection of 32 of his most popular masses, Magnificats, psalms and motets appeared in Madrid. Though his output ranged widely through the liturgy, he is chiefly remembered for his masses and motets, which include well-known pieces (Missa Ave regina caelorum, Missa pro victoria, O magnum mysterium, O quam gloriosum, O vos omnes). Like Palestrina, he wrote in a serious, devotional style, often responding emotionally to the texts with dramatic word-painting. Some of his more poignant pieces are characterized by a religious, almost mystical fervour.
