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    Classical
    20th/21st Century

Bernstein: The 1953 American Decca Recordings

Various Artists

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Released: Feb 2005
Label: Dg
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    1
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    14:38
    1. Allegro con brio - Symphony No.3 in E flat, Op.55 -"Er...
    1. Allegro con brio - Symphony No.3 in E flat, Op.55 -"Eroica" - 1. Allegro con brio
    Various Artists
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    2
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    17:47
    2. Marcia funebre (Adagio assai)
    2. Marcia funebre (Adagio assai)
    New York Stadium Symphony Orchestra
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    3
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    5:38
    3. Scherzo (Allegro vivace)
    3. Scherzo (Allegro vivace)
    New York Stadium Symphony Orchestra
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    4
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    12:09
    4. Finale (Allegro molto)
    4. Finale (Allegro molto)
    New York Stadium Symphony Orchestra
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    5
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    13:25
    "Simplicity itself..." (1st movement)
    "Simplicity itself..." (1st movement)
    New York Stadium Symphony Orchestra
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    6
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    6:07
    "I always feel this gigantism" (2nd movt.)
    "I always feel this gigantism" (2nd movt.)
    New York Stadium Symphony Orchestra
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    7
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    5:25
    "We have just been examining..." (3rd movt.)
    "We have just been examining..." (3rd movt.)
    New York Stadium Symphony Orchestra
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    8
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    9:12
    "All that we have said" (4th movt.)
    "All that we have said" (4th movt.)
    New York Stadium Symphony Orchestra
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    9
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    1:06
    "The study of the Eroica is a lifetime work,..."
    "The study of the Eroica is a lifetime work,..."
    New York Stadium Symphony Orchestra
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    10
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    8:52
    1. Adagio - Allegro molto
    1. Adagio - Allegro molto
    New York Stadium Symphony Orchestra
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    11
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    13:33
    2. Largo
    2. Largo
    New York Stadium Symphony Orchestra
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    12
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    7:16
    3. Scherzo (Molto vivace)
    3. Scherzo (Molto vivace)
    New York Stadium Symphony Orchestra
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    13
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    11:26
    4. Allegro con fuoco
    4. Allegro con fuoco
    New York Stadium Symphony Orchestra
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    14
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    9:51
    1. "Does this music sound like the New World to you?" (3r...
    1. "Does this music sound like the New World to you?" (3rd movt., Trio II; 1st movt.)
    Leonard Bernstein
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    15
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    3:22
    2. "We come now to the second movement, which has a charm...
    2. "We come now to the second movement, which has a charming melody, ..." (2nd movt.)
    Leonard Bernstein
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    16
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    1:40
    3. "The third movement is a marvel of ingenuity and deftn...
    3. "The third movement is a marvel of ingenuity and deftness" (3rd movt.)
    Leonard Bernstein
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    17
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    5:00
    4. "And now the last movement. In general I should say th...
    4. "And now the last movement. In general I should say that this is the most Slavic of all" (4th movt.)
    Leonard Bernstein
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    18
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    1:01
    5. "The final claim of those who argue for the New World ...
    5. "The final claim of those who argue for the New World Symphny as American music, ..." (4th movt.,cont.)
    Leonard Bernstein
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    19
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    12:27
    1. Sostenuto assai - Un poco più vivace - Allegro ma non ...
    1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
    New York Stadium Symphony Orchestra
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    20
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    6:58
    2. Scherzo (Allegro vivace)
    2. Scherzo (Allegro vivace)
    New York Stadium Symphony Orchestra
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    21
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    11:53
    3. Adagio espresssivo
    3. Adagio espresssivo
    New York Stadium Symphony Orchestra
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    22
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    8:14
    4. Allegro molto vivace
    4. Allegro molto vivace
    New York Stadium Symphony Orchestra
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    23
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    4:22
    1. "Robert Schumann has been dead..." (3rd movement, open...
    1. "Robert Schumann has been dead..." (3rd movement, opening theme)
    Leonard Bernstein
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    24
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    1:48
    2. "To my mind Schumann follows in this tradition"
    2. "To my mind Schumann follows in this tradition"
    Various Artists
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    25
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    8:39
    3. "Now let´s look at the symphony itself" (1st movement)
    3. "Now let´s look at the symphony itself" (1st movement)
    Leonard Bernstein
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    26
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    6:51
    4. "And so we have arrived at the Allegro section..." (1s...
    4. "And so we have arrived at the Allegro section..." (1st movt. cont.)
    Leonard Bernstein
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    27
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    4:49
    5. "In the marvellous Scherzo that follows..." (2nd movt)
    5. "In the marvellous Scherzo that follows..." (2nd movt)
    Leonard Bernstein
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    28
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    7:32
    6. "But perhaps the greatest beauty..." (3rd movt.)
    6. "But perhaps the greatest beauty..." (3rd movt.)
    Leonard Bernstein
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    29
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    5:15
    7. "Even in the final movement" (4th movt.)
    7. "Even in the final movement" (4th movt.)
    Leonard Bernstein
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    30
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    11:50
    1. Allegro non troppo
    1. Allegro non troppo
    New York Stadium Symphony Orchestra
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    31
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    11:53
    2. Andante moderato
    2. Andante moderato
    New York Stadium Symphony Orchestra
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    32
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    6:07
    3. Allegro giocoso - Poco meno presto - Tempo I
    3. Allegro giocoso - Poco meno presto - Tempo I
    New York Stadium Symphony Orchestra
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    33
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    10:49
    4. Allegro energico e passionato - Più allegro
    4. Allegro energico e passionato - Più allegro
    New York Stadium Symphony Orchestra
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    34
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    4:45
    1. "Brahms´ Fourth Symphony in E minor is today ..." (4th...
    1. "Brahms´ Fourth Symphony in E minor is today ..." (4th movt., opening theme)
    Leonard Bernstein
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    35
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    5:15
    2. "Our journey begins without introduction..."
    2. "Our journey begins without introduction..."
    Leonard Bernstein
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    36
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    3:23
    3. "Do you see now what a symphonic theme is?"
    3. "Do you see now what a symphonic theme is?"
    Leonard Bernstein
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    37
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    5:47
    4. "Now, think of it - we have so far only had 44 bars of...
    4. "Now, think of it - we have so far only had 44 bars of music"
    Leonard Bernstein
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    38
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    2:41
    5. "Here is that second theme"
    5. "Here is that second theme"
    Leonard Bernstein
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    39
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    9:34
    6. "This brings us to the development section proper"
    6. "This brings us to the development section proper"
    Leonard Bernstein
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    40
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    2:16
    7. And here we are back home, ready for the rehearing of ...
    7. And here we are back home, ready for the rehearing of the exposition, ..."
    Leonard Bernstein
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    41
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    3:18
    8. "So we arrive at the coda"
    8. "So we arrive at the coda"
    Leonard Bernstein
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    42
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    2:12
    9. "Well, we have had a microscopic look at symphonic met...
    9. "Well, we have had a microscopic look at symphonic method"
    Leonard Bernstein
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    43
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    18:43
    1. Adagio - Allegro non troppo
    1. Adagio - Allegro non troppo
    New York Stadium Symphony Orchestra
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    44
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    8:14
    2. Allegro con grazia
    2. Allegro con grazia
    New York Stadium Symphony Orchestra
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    45
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    9:08
    3. Allegro molto vivace
    3. Allegro molto vivace
    New York Stadium Symphony Orchestra
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    46
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    11:16
    4. Finale (Adagio lamentoso - Andante)
    4. Finale (Adagio lamentoso - Andante)
    New York Stadium Symphony Orchestra
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    47
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    9:18
    1. "Now there is a melody, a pure orchestral song..." (1s...
    1. "Now there is a melody, a pure orchestral song..." (1st movt.)
    Leonard Bernstein
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    48
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    1:58
    2. "Now the development section erupts..." (1st movt. cont.)
    2. "Now the development section erupts..." (1st movt. cont.)
    Leonard Bernstein
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    49
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    1:56
    3. "Now one would think that Tchaikovsky had really explo...
    3. "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movt)
    Leonard Bernstein
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    50
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    1:50
    4. "Jumping now to the famous third movement, the great M...
    4. "Jumping now to the famous third movement, the great March..." (3rd movt.)
    Leonard Bernstein
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    51
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    3:40
    5. "Perhaps the most admirable example of this is to be f...
    5. "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movt.)
    Leonard Bernstein
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    52
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    6:01
    6. "Now I don´t want to give you the impression that scal...
    6. "Now I don´t want to give you the impression that scales are the only unifying force in this work"
    Leonard Bernstein
℗ 2004 Deutsche Grammophon GmbH, Hamburg