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Jazz | Artist Spotlight
March 8, 2012
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Witch Hunt: A Wayne Shorter Artist...

Artist Spotlight: Wayne Shorter

by Nate Cavalieri

A crash course in composer and saxophonist Wayne Shorter should start with his tune "Witch Hunt." The tightly structured weave of tenor sax and trumpet swings along with a carefree gait until, out of nowhere, there's a ricochet of drums and the melody suddenly sweeps upward into a tortured scream. This is Wayne Shorter at his best: complex, shrewd and surprising.

Born in 1933, Shorter began his career as a sideman to legendary leaders in the bop movement, including Art Blakey and Horace Silver. And even though the young tenor player struggled to emerge from the shadow of former practice buddy John Coltrane, eventually his gifts as a composer led to sessions as a bandleader. By the mid-'60s, he was stunningly prolific, turning out a clutch of records that explored the fringes of post-bop, both as an increasingly confident bandleader and a member of Miles Davis' legendary second quintet.

Although the records of this period are his most celebrated, they only represent half the story. He then took up soprano sax, founded visionary fusion group Weather Report, and was a frequent collaborator with pop singers and songwriters. Shorter's greatest legacy lies in his compositions, but his longevity as a performer and visionary spans four decades. Here's an introduction to his best work.

Albums
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Speak No Evil
Wayne Shorter
This is the album where Wayne Shorter truly came into his own as a saxophonist and composer. While Shorter's harmonic ideas are endlessly creative, his melodic sense is rich enough to allow him to bridge the gap between the avant-garde and the (almost) mainstream. These traits make Miles Davis cohort Herbie Hancock the perfect pianist for Shorter and their partnership here is as rewarding as their work with Miles Davis. Speak No Evil showed an artistic path that diverged from Coltrane and Miles but more importantly it showcases music that hasn't aged a day since it was released in late 1964. Those who may be afraid of cutting-edge music should listen to the beautiful "Wild Flower."
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Adam's Apple
Wayne Shorter
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Mingus
Joni Mitchell
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Bitches Brew
Miles Davis
This is the album that found Miles losing some of his older jazz audience while gaining a new rock fan following. Considered by some at the time to be a sell-out, this is daring music that still challenges and inspires. Wayne Shorter remains on soprano sax, though new musicians John McLaughlin, Chick Corea and Larry Young all shine in the spotlight. This 40th anniversary edition includes an array of bonus material, much of which reveals the diligent editing of producer Teo Macero, plus a different lineup featuring keyboardist Keith Jarrett.
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The Young Lions
The Young Lions
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Night Dreamer [RVG Edition]
Wayne Shorter
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JuJu
Wayne Shorter
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Live In Europe 1967 - Best Of The Bootleg Series Vol. 1
Miles Davis
There's certain ferocity in this live set from Miles' "second great quintet" -- the five-man outfit he led between '64 and '69 that included a young Herbie Hancock, Wayne Shorter, Ron Carter and Tony Williams. Listen to Hancock on the opening solo on Miles' "Agitation" and it's clear the group was pushing their genre -- as composers and soloists -- into unknown territory. At times it remains challenging to modern ears, so it's difficult to imagine how wild it must have sounded that night in Antwerp, Belgium. This is the first of a series of shows recorded by state radio in the fall of 1967.
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Miles Smiles
Miles Davis
While the music doesn't sound anything like the upbeat titles and graphics, this jazz will make you feel joyous. Davis and his young quintet (Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams) get frenetic and introspective with a constant helping of dignified freedom. This is exploratory, highbrow music that connects on an emotional level.
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Weather Report
Weather Report
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Schizophrenia
Wayne Shorter