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Soul/R&B | Cheat Sheet
August 24, 2012
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Cheat Sheet: Folk & Soul

Cheat Sheet: Folk & Soul

by Mosi Reeves

First, there is an admission to make. This collection of albums hardly fits the title of "folk & soul," or rather, some do, and others don't. Bill Withers' 1971 debut Just As I Am defines the term, but what about Tracy Chapman's 1988 debut, which owes more to '60s protest singers like Odetta and British folk troubadours like Joan Armatrading than any contemporary notions of soul music? (Chapman's 1995 comeback album New Beginning may be more appropriate for this list.) And Lianne La Havas, the sprightly British newcomer that's making inroads with her promising debut, Is Your Love Big Enough?, is as much a pop singer in the mold of KT Tunstall and Inara George as a soul chanteuse akin to Corinne Bailey Rae, the artist with whom she's most often compared.

However, there is a thread linking all of these artists. Yes, they are all black, and they all play acoustic guitar, but it's more than that. You can build branches from the elegant crooning of Terry Callier to the balladry of Anthony David; and from the lyrical honesty and presence of Chapman to the empowerment anthems of India.Arie. Each musician sounds remarkably different, but the inflections in their voices and their music can be unmistakably similar. You could segue from Ben Harper's "Steal My Kisses" to Corinne Bailey Rae's "Like a Star" and not miss a beat.

So consider this list, which is inspired by Michael Kiwanuka's memorable debut Home Again, as a somewhat clumsy attempt to create a family tree linking these many talents. At the very least, it's a starting point for hours of discovery.

Albums
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Is Your Love Big Enough?
Lianne La Havas
Lianne La Havas is a cool yet flirtatious woman who often sings in a quiet voice just above a whisper. Comparisons to Corinne Bailey Rae are inevitable, but La Havas isn't afraid to leap into bigger sounds than just acoustic pop on her debut, from the loud drums and booming beat of "Forget" to the dramatic piano swirls and percussion of "Lost & Found." Still, she seems most comfortable with just her guitar and her voice. On "Au CĂ­nema" she's the perfect date, "your Betty Blue," blows sweet kisses to folkie Willy Mason on "No Room for Doubt," and even gives hope to old geezers on "Age."
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Home Again
Michael Kiwanuka
Michael Kiwanuka is a folkie whose Home Again recalls the likes of Terry Callier and Raul Midon. He arrives to our shores at a time when American tastes for UK soul seems insatiable, whether it's the big-hearted pop of Adele or the light musings of Corinne Bailey Rae. Kiwanuka's charms are modest - he has a raspy, declamatory old-school voice reminiscent of Richie Havens, and a warm '60s pop sound to weave tales of love ("Tell Me a Tale") and spirituality ("I'm Getting Ready"). He sounds less of an individual talent than the sum of his influences, but his work shows promise.
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Acey Duecy
Anthony David
As a close friend and former manager of India.Arie, as well as a talented indie musician, it was only time before Anthony David got an opportunity to reach a national audience. His major label debut Acey Duecy has unexpected range, from a celebration of Dirty South culture on "Kinfolk" and "GA Peach," to a neo-soul cover of Level 42's 80s pop hit "Something About You." The sly but heartfelt wit of "Smoke One," "Cheatin' Man" and "Cold Turkey" confirms that he's a smooth player that can woo the ladies with an acoustic love song like Bill Withers. It's certainly not bad for business.
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A World Within A World
Raul Midon
The sunny neo-soul on A World Within a World brims with buoyant acoustic rhythms and poetic statements of peace and love. Midon's voice is often compared to Stevie Wonder's, and his songs are informed by jazz vocals, Latin boleros and '70s pop storytelling, as well as RnB and soul. It all comes together harmoniously here. "All the Answers" features a trumpet solo, which is really Midon "playing" his mouth. "All Because of You," an RnB love ballad, is destined for radio. And Midon reveals his brown-eyed soul on "Caminando," a rootsy Latin alternative track. From the sound of this album, Midon's world is a beautiful place.
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Corinne Bailey Rae (Deluxe Edition)
Corinne Bailey Rae
Corinne Bailey Rae's cool, laid-back vocals veer from siren to schoolgirl, sounding confident and powerful one minute and vulnerable the next. With a sultry mix of neo-soul grooves and jazzy back beats, songs such as "Put Your Records On" and "Til it Happens to You" sound like well-worn favorites, deftly toeing the line between contemporary and classic. A deserved pop smash, the album justifies the bonus disc that includes an awesome soul saunter through a Led Zep classic, a movie theme and a Bjork cover.
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Acoustic Soul - Special Edition
India.Arie
Acoustic Soul begins with a benediction to India.Arie's "ancestors," Sam Cooke and Marvin Gaye, and closes with "Wonderful," a tribute to Steve Wonder. In between is an hour of songs the Atlanta artist builds from acoustic guitar into lush neo-soul like "Brown Skin" and "Simple." She views love as spiritual and everlasting, calling her lover "god's creation" on "Nature" and titling another "I See God in You." India may be serious to a fault, but her lovely voice and earnest search for inner truth keeps her grounded, and far from the typical R&B "Video" girl.
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Burn To Shine
Ben Harper
Ben Harper's music consistently manages to do two things: defy categories and collect fans with each new release. Burn to Shine marks Harper's most astute work to date, mixing soul, folk, calypso and jazz in a seamless, effortless way. Burn to Shine is the place for fans and casual listeners alike to start in their appreciation for this rare talent.
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Tracy Chapman
Tracy Chapman
Arriving in the late '80s, Tracy Chapman's self-titled record was a document of surprising artistic and political potency. The record's penchant for revolution is stated plainly in the opener and "Across the Lines," but even Chapman's biggest hit, the radio-dominating ballad "Fast Car," holds kernels of social protest. Still, this record is so enduring because of Chapman's ample gifts -- her keen and sensitive writing, her dedication to the ideals of folk traditions, her remarkable ability as a singer -- which make the album one of the most memorable folk records of the Reagan era.
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Joan Armatrading
Joan Armatrading
With guest appearances from members of the Faces and Fairport Convention, and a set of tunes about weathering the storms of bad love, Joan Armatrading's third, eponymous album has real swagger. Released in 1976, the record was Armatrading's biggest critical and popular hit, putting her on the map with an international audience and achieving respectable chart success in the U.K. Wah-wah guitar and unapologetic backbeats help make up-tempo tunes like "Water With the Wine" and "Join the Boys" funky and confident, but the most memorable stuff is in affecting, artful ballads like "Save Me."
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What Color Is Love
Terry Callier
What Color Is Love is a fusion of jazz, folk and soul delivered with Callier's gift for language. Charles Stepney, who soon gained fame as Earth, Wind & Fire's producer, evokes the symphonic soul of Isaac Hayes. With his warm, understated voice, Callier massages these songs to an epiphany, from the rapturously epic "Dancing Girl" to the soft pop jewel "Just As Long As We're In Love." "There's so many things I want to say/ But words alone won't ease your mind" he sings on the latter, so for "You Don't Care," he just lets the musicians play and bring this 70s classic to a shimmering finale.
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Just As I Am
Bill Withers
Accurately titled, Withers' debut album is as open and honest as the artist himself. The public immediately responded to "Ain't No Sunshine," which illustrates Withers' Southern soul-meets-folk rock style. "Grandma's Hands" is the kind of warm family history that everyone can connect with, while the stoic "Hope She'll Be Happier" is just devastating.