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Bachata | Cheat Sheet
January 13, 2011
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Bachata Megamix!

Cheat Sheet: Rise of Bachata

by Rachel Devitt

If you're a new or casual fan of bachata, it may come as a surprise to learn that this massively popular genre (which can be heard streaming out of countless car windows and clubs across Latin America and the United States) was little known outside the Dominican Republic countryside just a few short years ago. And the fact that it was not only heavily stigmatized (and, at times, even persecuted) as, at best, embarrassingly backwoods and, at worst, the sound of depravity may be downright shocking. Truly, the slow, romantic, seemingly innocuous shuffling slide of the Caribbean style that today gives even reggaeton a run for its money belies its complicated, even tumultuous history. But it's that same struggle that gives the swaying rhythm of the bachata its substance.

The bachata began life as a kind of Dominican take on the Cuban bolero, a soft, romantic style of guitar music that grew and gained popularity across the countryside for years before it was even known by the name bachata (in fact, its early permutations were called bolero campesino). That naming and the codification of the style as a uniquely Dominican sound came about in the 1960s, its title taken from the gatherings that occurred around the music (bachata more or less translates as "party"). The sweet and at times almost mournful songs focused on themes of love, but they also often candidly addressed the plight of the impoverished, rural lower classes. It was a bold move that did not sit well with the ruling classes, who looked down upon the genre's frank sexuality and bold political stance. They denigrated it as a music of prostitution and crime and promoted the more middle-class merengue as the Dominican music. Bachateros, relegated to barrios and limited to just one national radio station, embraced their genre's "bad" rep, taking the opportunity to sing the little-heard stories of the difficulties of life in the country's underground.

That scrappiness ultimately paid off. At some point in the 1980s, the genre's undeniable (and ever-increasing) popularity won out over its bad rap. Electric guitars were introduced, merengue stars and other middle-class artists began experimenting with the style and bachateros began to become massive, international stars. Of course, in the process, a good deal of the revolutionary zeal was watered down or at least drowned out by the slicker, sexier, more urban sounds of modern bachata (which often include elements of hip-hop, R&B and reggaeton). But you don't have to dig very deep to discover the "secret," radical, underground history, which continues to influence the now very mainstream genre of bachata.

Take a tour of bachata's rise from the underground and the countryside to international prominence with our guide to its key albums and artists.

Albums
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No Me Olvides
Edilio Paredes
One of bachata's top requintos (lead guitarists) and a prolific recording artist, Edilio Paredes had a strong hand in shaping bachata. From the early bolero campesino days, Paredes was a much sought-after session guitarist. And as many bachateros are primarily singers, he went on to play on and arrange literally thousands of tracks, helping to pioneer the introduction of livelier, dance-oriented stylistic elements drawn from son and merengue. His own solo style trots along at a bouncy, upbeat clip. While his scratchy tenor is charismatic (if not especially impressive), it's the intricate, rolling and trilling guitar work that's the focus.
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Love Is Back
Toby Love
He's trying to sell himself with the "crunkchata" label, but Toby Love is no baller -- in truth he comes at us with a teddy bear in one hand and a heart-shaped locket in the other. (His last name is Love, people.) For every wicked urban beat, there are five bachata ballads quivering under his mellifluous singing. And that's just as it should be: no 13-year-old should want to resist the promise of romance he dangles before her. The anxious courting gets a little played out by the 14th track, give or take; nonetheless this young man's giving Aventura quite a run for their squalling fan base.
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Exitos Y Mas
Monchy & Alexandra
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Asondeguerra
Juan Luis Guerra
As always, Juan Luis Guerra delivers with impeccable style. The album is produced within an inch of its life, but with Guerra's voice and personal magnetism, that doesn't matter. The songs are strong from start to finish, from the galactic images in "No Aparecen" to his poetic (quasi-religious?) English-language son "Caribbean Blues." He seems to be having particular fun with Cuban rhythms, though the whole of the Caribbean has crammed itself onto the disc. Trumpeter Chris Botti and Juanes guest, though Juanes sounds weirdly a bit out of his depth in the duet "La Calle."
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Linea Clasica Bachata Pura Vol. 1
Various Artists
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Prince Royce
Prince Royce
With Aventura releasing their last album (supposedly) in 2009, room has opened up for the next Bronx-born bachata heartthrobs. Enter Prince Royce, young and lovely and as romantic as any 13-year-old girl could wish. For the most part, he sticks to the script, singing softly and with a few bilingual touches to the dreamy trickle of bachata guitar. But then he flips the script with the perhaps unintentionally funny and extremely catchy "Rock the Pants." You have to love a guy who sings, "Watch me as my jeans sag low/ when I walk out the door" to a throbbing club beat.
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We Broke The Rules
Aventura
Bachata's first boy band!!! Insert squeals here, but if you don't have it in you, the thousands of screaming fans who pack stadiums for these Bronx-born cuties have you covered. Though bachata's traditional soft swells still form the basis of their sonic structure, Aventura work in well-placed stylistic references to hip-hop, R&B and pop (see: the Michael Jackson bite on "I Believe") and sings bilingual lyrics in vocals that are almost more Babyface than bolero. These boys helped guarantee a dynamic future for the genre. "Obsession" was one of bachata's first crossover hits.