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Rap/Hip-Hop | Rap Is Not Pop
August 12, 2011
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Paper Trail

Rap Is Not Pop: Monsters of Rap

by Mosi Reeves

Back in the '80s, the world's biggest rock bands gathered together for an annual stadium festival called Monsters of Rock. Though mostly a U.K. phenomenon, an American version featuring Van Halen and Metallica toured the States in 1988. Now, with the release of Jay-Z and Kanye West's Watch the Throne, it's an ideal time to chronicle the rise of the hip-hop megastar and establish our very own Monsters of Rap.

First, let's establish some rules. They must have at least one platinum album. (That eliminates Kid Cudi, Rick Ross, Lupe Fiasco, Gucci Mane, Flo Rida, Tech N9ne, B.o.B , Wiz Khalifa and Pitbull.) They must have at least two full-length albums to their credit. After all, "monster" signifies a fearsome animal with a significant life span, not a zygote-like flash in the pan. (That eliminates Drake and Nicki Minaj.) Finally, they must be an "active" artist with new material; artists who are dead (the Notorious B.I.G., 2Pac, and Big Pun, R.I.P.) and currently inactive (Missy Elliott, OutKast) are excluded.

I left out a few others for intangible reasons. Timbaland is mostly known as a studio producer and vocalist, not a stage performer. Pharrell Williams has his own solo hits (including 2003's "Frontin"), and even pulled off tours with his alt rock group N.E.R.D., but has never carried a platinum album on his own. Young Jeezy, Lil Jon, The Game and Nelly were hugely successful in the past, but their popularity isn't where it used to be. Unlike rock, hip-hop is all about who's hot right now. Hit singles come and go, but platinum albums, touring revenue, boutique labels, and business ventures mark the difference between temporary and lasting stardom.

So who qualifies as a Monster of Rap, a behemoth comparable to corporate-rock dinosaurs like The Rolling Stones and Aerosmith? Here's a baker's dozen, ranked in order of importance.

1. Eminem

Biggest Albums: 2000's The Marshall Mathers LP and 2002's The Eminem Show, both certified diamond (10 million copies shipped)

No. 1 Hits: "Lose Yourself," "Crack a Bottle," "Not Afraid," "Love the Way You Lie"

Claim to Greatness: Eminem tops the list because he's the only rapper with two diamond albums, and his quadruple-platinum Recovery was the best-selling album of 2010. Regardless of arguments over whether he's the true G.O.A.T. (greatest of all time), he has a legitimate claim to being the most popular rapper in history. Although he recently relaunched Shady Records with mixtape stars like YelaWolf and Slaughterhouse, Em's general reclusiveness means he will always trail Jay-Z in extracurricular ventures. However, his millions of "stans" probably admire him for that.

2. Jay-Z

Biggest Album: 1998's Vol. 2 … Hard Knock Life, five times platinum

No. 1 Hit: "Empire State of Mind"

Claim to Greatness: Jay-Z's career has suffered from pop radio's traditional reluctance to program rap hits, a glass ceiling he finally broke through with 2009's "Empire State of Mind." And his celebrated business prowess via Roc-A-Fella, Roc Nation and a minority stake in the New Jersey Nets sometimes overshadows his musical accomplishments. Quibbles aside, he's a megastar who can assemble platinum projects and sold-out arena tours at will. The mania surrounding Watch the Throne is a perfect example.

3. Lil Wayne

Biggest Album: 2008's Tha Carter III, triple platinum

No. 1 Hit: "Lollipop"

Claim to Greatness: Lil Wayne's classic 2007 mixtape run and 2009's No Ceilings linger in rap fans' minds. His Young Money team runs the charts, and his arena tours are hugely successful among teenage girls with "Lollipop" ringtones. However, his increasing pop incursions, from the syrupy ballad "How to Love" to rock experiments like 2010's gold-selling Rebirth, make him a bit of an enigma, and may account for a lack of street buzz surrounding his forthcoming Tha Carter IV.

4. Kanye West

Biggest Albums: 2005's Late Registration, triple platinum

No. 1 Hits: "Gold Digger," "Stronger"

Claim to Greatness: Kanye West seems to succeed in spite of himself. As he once put it, "I've got the title in two classes," generating hits as a solo artist and as a producer, not to mention as a guest vocalist (see Katy Perry's "E.T.") and co-owner of G.O.O.D. Music. Provocative statements and a pompous attitude make him one of the world's least popular celebrities, yet they inadvertently divert attention to his inarguable strengths as a musician. Otherwise, why would we care about this self-admitted D-bag?

5. The Black Eyed Peas

Biggest Album: 2005's Monkey Business, quadruple platinum

No. 1 Hits: "Boom Boom Pow," "I Gotta Feeling," "Imma Be"

Claim to Greatness: Scholars will have a field day deciding the Peas' place in history. Should they be admired for launching a series of pop hits in the '00s, or derided for novelties like "Boom Boom Pow"? Complicating matters, the group lost face with its awful halftime-show performance at the 2011 Super Bowl. The four members recently announced an extended hiatus to work on solo projects, but they may find themselves diminished and ready for the "I Love the Aughts" oldies circuit when they return.

6. T.I.

Biggest Album: 2008's Paper Trail, double platinum

No. 1 Hits: "Whatever You Like," "Live Your Life"

Claim to Greatness: T.I. may be a recidivist felon, but he's a hot star who turned 2010's No Mercy into gold despite little promotion and mixed reviews. And he proved with Paper Trail that he could launch a crossover smash. Questions remain as to whether he can expand his Grand Hustle label (B.o.B's The Adventures of Bobby Ray was a big step) and build his portfolio with concert tours and marketing ventures, and if his ongoing legal problems will hinder him.

7. Snoop Dogg

Biggest Album: 1993's Doggystyle, quadruple platinum

No. 1 Hit: "Drop It Like It's Hot"

Claim to Greatness: Snoop Dogg is on the downside of his recording career after two disappointing albums, 2009's Malice 'N Wonderland and this year's Doggumentary. But he continues to generate good will with his brand name, occasional acting gigs, two decades' worth of hits, and headliner status at festivals and arena tours. With the right producers and songs, he could easily make a comeback album.

8. 50 Cent

Biggest Album: 2003's Get Rich or Die Tryin', six times platinum

No. 1 Hits: "In Da Club," "21 Questions," "Candy Shop"

Claim to Greatness: 50 Cent's business dealings, fledgling B-movie career and constant presence on the Internet (usually for making gleefully ignorant statements) mask the fact that he hasn't had a major hit since 2007's Curtis (though he landed a guest verse on Jeremih's "Down on Me"). He doesn't have much of a concert reputation, either. However, his high profile among rap fans leaves the door open to another hit album -- if he's capable of making one.

9. Dr. Dre

Biggest Album: 1999's 2001, six times platinum

No. 1 Hit: None; "Nuthin' but a 'G' Thang" peaked at No. 2

Claim to Greatness: Dr. Dre is reportedly retooling Detox after a mixed response to two early singles, "Kush" and "I Need a Doctor." He seems determined for another Chronic-sized landmark, but years of inactivity and a perfectionist's approach will make that difficult. It's hard to keep your finger on pop's pulse at the age of 46. Successful ventures like the Beats by Dre headphone products and his ongoing mentorship of fellow Monsters of Rap like Eminem, Snoop Dogg, and 50 Cent qualify him for this list.

10. Diddy

Biggest Album: 1997's No Way Out, seven times platinum

No. 1 Hits: "Can't Nobody Hold Me Down," "I'll Be Missing You"

Claim to Greatness: Diddy's recent theater tour for his Diddy Dirty Money project reminded us that he's years removed from his arena-crushing No Way Out years, no matter how many reality shows he launches on MTV. His power now lies in his tabloid celebrity and multimedia ventures, chiefly his clothing line, Sean John. He can still launch radio hits with the right synergy, including "Loving You No More" with Drake.

11. Nas

Biggest Albums: 1996's It Was Written and 1999's I Am …, both double-platinum

No. 1 Hits: None, but "I Can" peaked at No. 12

Claim to Greatness: Better known as an album artist than a singles artist, Nas doesn't generate platinum hits like he used to: last year's collaboration with Damian Marley, Distant Relatives, earned respectable reviews and little else. Then again, few in any genre do. Besides, he gets to play arenas every year as a major investor in Guerilla Union, the promotions company behind the annual Rock the Bells festival.

12. Ludacris

Biggest Albums: 2000's Back for the First Time, 2001's Word of Mouf, both triple platinum

No. 1 Hits: "Stand Up," "Money Maker"

Claim to Greatness: Why is Ludacris ranked so low despite 2010's No. 1, gold-selling Battle of the Sexes? He has never mounted an international arena tour, hasn't had a critically acclaimed album, and after some initial success, his Disturbing Tha Peace imprint has cooled. His acting gigs are well received, but it's hard to imagine him carrying a movie like Mos Def or Will Smith. Unless Ludacris can grow into a respected album artist, he'll be the latest in a line of pop-rap stars only truly famous for their hit-making ability.

13. Beastie Boys

Biggest Album: 1986's Licensed to Ill, nine times platinum

Number-One Hits: None; "(You Gotta) Fight for Your Right (To Party!)" peaked at No. 7

Claim to Greatness: Before you snicker, ask yourself this: who else can land a top-five album on brand name alone, owns an Oscar-nominated film production company, and can launch arena tours at will? The Beastie Boys may not have had a real hit in over a decade, but their lasting popularity and catalog of classics make them the definition of a Monster of Rap.

Albums
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Paper Trail
T.I.
For anyone wondering what good came out of T.I. catching a year on gun charges, Paper Trail is a good start. The Atlanta rapper has never lacked confidence, and he shines on opener "I'm Illy" over Chuck Diesel's ominous bells and operatic voices, but bearing his soul is where he's exceptional. Tip addresses his legal troubles on "Ready for Whatever," his beef with Shawty Lo on the scathing "What Up, What's Haapnin'" and the murder of his best friend, Philant Johnson, on the "Dead and Gone," featuring Justin Timberlake. This king isn't ready to give up his crown just yet.
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Late Registration
Kanye West
The Windy City wunderkind continues to flaunt his production prowess and intelligent rhyme style on what's undoubtedly one of 2005's biggest releases. West's highly anticipated sophomore LP oozes soulful vibes and thought-provoking lyrics, but will still make you dance. Features collabos with Jay-Z, Common and Paul Wall.
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It Was Written
Nas
After mastering stark street corner realism on Illmatic, Nas delivered a loose concept album that was, at the time, groundbreaking in its scope, approach and execution. The album, along with Raekwon's Only Built for Cuban Linx, helped usher in the era of the hip-hop Mafioso. And though that conceit would run out of steam quickly, this release is a gem. The bloody narrative "The Message" remains one of the most visually evocative songs of Nas' career, while the sonically luxurious "If I Ruled the World" imagines a place where the emcee would "open every cell in Attica/ send them to Africa."
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Vol. 2...Hard Knock Life
Jay-Z
On Hard Knock, Jigga parses the contradictions. He's a LV-plated materialist who surmises that, "Life is miserable when you're dealing in the physical form." He tells the girls to "rub on their tits" before sympathizing, "I flow for chicks wishing/ they didn't have to strip to pay tuition." The aforementioned flow is ridiculous(check "If I Should Die" for a rap clinic) and the beats are strong. You already know the Annie-jacking title track and the cyber hedonism of Timbalands' "Can I Get...," but check out DJ Premier's "Intro-Hand It Down" for a study in sparse, jolting rhythm.
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No Way Out
Diddy
The artist we now know as Diddy had a lot on his mind in '97. First and very foremost, the Notorious B.I.G.'s murder and Combs' struggle with it, which coats almost every inch of his solo debut, from Biggie's sauntering guest spots (don't miss the fierce "Victory") to Puffy's many tributes to his friend and collaborator ("I'll Be Missing You" is still moving). But No Way Out is more than just an ode to grief -- it's also the producer's attempt to establish himself as a rapper. He does so fairly admirably (especially on hidden gems like "SeƱorita"), though he's still a better host than MC.
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The Marshall Mathers LP
Eminem
Though the template of laying irreverent societal critique over bouncy Dr. Dre beats is left essentially intact, Marshall Mathers is darker and meaner. It mixes homophobia and misogyny with murder fantasies. The epic narrative "Stan" was Eminem's attempt to reconcile his responsibility as an influential public figure with his role as an entertainer and artist. But the distance between art and reality wasn't as clear as the song would lead us to believe, and the violent fantasy "Kim" reportedly led his wife, the song's subject, to attempt suicide. This is volatile, obscene and great art.
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Get Rich Or Die Tryin'
50 Cent
50 Cent's debut smash lives up to the hype and then some. Powered by impossibly great singles "In Da Club" and "P.I.M.P.," Get Rich Or Die Tryin' is the next step for crossover rap -- hard in the right spots, smooth where it counts and, with Dr. Dre producing four of the cuts, sufficiently connected to the old school to absolve you for knowing every song by heart.
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Doggystyle
Snoop Dogg
After stealing the show on The Chronic, Snoop Dogg became a major superstar on the strength of this classic 1993 debut. Produced entirely by Dr. Dre, Doggystyle is one of the dopest, most influential, and just plain funkiest hip-hop albums ever made. Packed with hits, it includes "Gin and Juice," "Who Am I" and "Ain't No Fun."
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Licensed To Ill
Beastie Boys
For a few months in 1987, the Beastie Boys symbolized Middle America's worst fears that hip-hop would turn white children into drunken hoodlums. But they were really just three Brooklyn punks who joined forces with producer Rick Rubin for a rock-rap cataclysm that turned Led Zeppelin ("She's Crafty") and Aerosmith ("The New Style") samples into boombox hits and frat-party perennials. King Ad-Rock's nasal croak, MCA's hoarse rasp and Mike D's whiny shouting, combined with sharp mic-trading routines learned from mentors Run-DMC, made for a combination mimicked by lesser artists ever since.
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Monkey Business
The Black Eyed Peas
After the resounding success of Elephunk, crossover party rap favorites Black Eyed Peas look to up the ante on their hotly anticipated fourth album. Jam-packed with undeniably catchy beats, fun-time rhymes and breezy melodies, plus collabos with James Brown, Justin Timberlake, Q-Tip, Sting and Jack Johnson, Monkey Business is a guaranteed summer smash.
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Tha Carter III
Lil Wayne
On the conclusion to Wayne's Carter trilogy, clouds of incoherence give way to the occasional beams of lucidity. For the latter, nonsense transforms into catharsis, and Wayne sounds like a modern-day, word-drunk Screamin' Jay Hawkins, angry and defiant as he stares in the mirror. Other times, Wayne simply sounds drunk, sputtering limp jokes and railing against imaginary haters. The album's highs ("Mr. Carter," "Dr. Carter") are stunning, but they sink beneath generic pop-hop ("Ms. Officer") and mixtape material ("You Ain't Got Nottin'"). It's singular, but that's not always a compliment.
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Back For The First Time
Ludacris
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2001
Dr. Dre
The 1999 album 2001 is less homage to gangland violence than a lascivious gangsta party teeming with hood heroes (Tray-Dee, Nate Dogg), ascendant pop stars (Snoop Dogg, Eminem, Xzibit) and underrated rap vets (Devin the Dude, Defari). "Xxplosive," "Housewife," "Let's Get High," "F*ck You" -- these G-funk classics secured Dre's reputation as L.A.'s greatest rap baron. Meanwhile, "What's the Difference," "Forgot About Dre" and "The Watcher" illustrated Dre's perfectionist struggle to assemble an album as seminal as The Chronic, and gave meaning to this multi-platinum triumph.