Bonnie Raitt

I suppose I should blame Peter Asher for how flat a few of these songs sound, but in fact I blame him only for pianist Don Grolnick, who single-handedly (well, actually I guess he used two) transforms the title cut from a cry of alcoholic despair to a self-pitying piece of hightone lounge schlock. She's never sounded better on the slow ones--Hayes-Porter's "Your Good Thing" is the killer--and her own "Standing by the Same Old Love" adds significantly to the pitiful store of rock songs about enduring sexual relationships. But I could stand some more hard raunch. (Grade: B+)