Donna Summer

You tend to suspect anyone who releases three double-LPs in eighteen months of delusions of Chicago, but Donna is here to stay and this is her best album. The first two sides, four songs per, never let up--the voice breaks and the guitars moan over a bass-drum thump in what amounts to empty-headed girl-group rock and roll brought cannily up-to-date. Moroder makes his Europercussion play on side four, which is nice too, but side three drags, suggesting that the rock and roll that surfaces here is perhaps only a stop along the way to a totally bleh total performance. Me, I still love my Marvelettes records. (Grade: A-)