Sebadoh

Bakesale goes a long way in demonstrating why Sebadoh are the quintessential lo-fi band of the '90s. Anchored by Lou Barlow's off-kilter, acoustic-based songs, this is the band's most accessible outing to date. Crowning jewels "Rebound" and "Skull" strike a perfect balance between jangle pop and noisy indie rock.

As a songwriter, Lou Barlow is the Joni Mitchell of indie rock's low-fi chic. His simple, often
acoustic-based pop melodies are packed with twisted, unresolved feelings of romance,
loss, obsession and self-doubt. Sebadoh are Barlow's Velvet Underground, wrapping his
confessions in fuzz, hiss and distortion and setting them alongside complementary songs by
band mates Jason Loewenstein and Eric Gaffney. Although Barlow's is the band's... More >

Two decades ago, Lou Barlow might have been Eric Justin Kaz, which I hope cheers anyone who thinks progress has gone out of style. And who recognizes Kaz's name, of course--confessional songpoet, acoustic guitar buried in El Lay cliches when he tried to get his songs out there himself. Believe me, indie-rock irony improves the type. Whether or not this sensitive young man Can Love, at least now the mooniness is under control, and access to technology enables him to make his own noise. Barlow's labyrinthine welter of demos-for-sale includes five previous so-called albums. In 1990, with Eric Gaffney sowing chaos every track he got and Jason Loewenstein's civilizing influence an alternative eon away, he was heard to derogate "the 'repeat the chorus three times' deal." Yet here, four years later, there are refrains, reiterations, hook riffs galore. I doubt I'll hear a catchier indie album all year--or a more visionary Unable To Love song than "Together and Alone." (Grade - A)